small stones – February 24, 2016


art credit: Contemplation by Maurice Fillonneau

Precious memories arise
leave me longing
for those days wrapped
in poetry and prose
living my dream

and then the tragic memories
float by, depression
and pain, a mind void
of the chattering of muses
no poetry or prose flows

And as I sit here
I am reminded of how quickly
a life can journey
from health to sickness
to health and dreams once more

Sweetness – Haiku – February 2, 2016

This invokes many childhood memories… those when “sweetness” arose…
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Bastet and Sekhmet's Library

still life

fresh fruit
sweetness lingers in the air
autumn harvest

freezing morning
warm smells from the kitchen
hot chocolate

[ah – warm toast]
fresh smell of sweet cinnamon
childhood thoughts

the house fills with cookie smells
snow storm howls

© G.s.k. ‘16

Carpe Diem #909 Sweetness

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Fear — Poetry

you simply won’t do —
you are eschewed
all bone
a poor pathetic thing
rolling in your memories
hanging on to the past
like a sacred tome —
You have no life of your own now
You’ve been assimilated —
the we, the we!

you’ve given up control —
do you get it now?
Don’t you see?
It’s far easier to cease
than to be!
You’ve little courage —
down on your knees, pleading
the begging, the begging —

the desire to be free
is no match for fear —
you’ve bathed in it for years
it’s soaked into your skin
runs rampant in your veins
’til it settles in your heart
your lungs
drips from your fingertips
rubbed raw
from counting days on the stucco walls

How long have your passions been imprisoned here?

Twelve years, twelve years!
years like memories — wasted away

©February 2014, Lori Carlson

Bitter Memories — A Study in Revision

I don’t usually reveal my rewrite process, but I decided to show both the original poem and the rewrite here. I wrote this poem back in 1995 while a student at Hollins College (now Hollins University). It sat, virtually untouched for two decades. First I will show the original edition, followed by a brief explanation of my rewrite process, and then finally I will show the revised edition. I hope you enjoy my process. Please let me know what you think of both the original and the rewrite.


Bitter Memories

Withered hands busily knit the sweater that will enfold him ~
sheep’s clothing ~ traps skin against wool against bitter cold.
Outside, the children build Frosty, three layers tall,
each mound proportioned slightly smaller; coal for eyes,
the last fuel for baking – she’ll chop wood before bedtime,
cool steel, wooden slivers; a huge carrot resembles
Aunt Bertie’s nose: angled and bent ~Irish Descent;
buttons from Granny’s tea tin imitate a crooked smile;
Pa’s pipe stabs the corner – corn husk from last season’s crop.
She lays aside the yarn and needles, pulls the lace from the window ~
spider webs ~ and recalls her own childhood: cold memories,
winters that engulfed her and five siblings ~ caged animals ~
Breeches of burlap sacks, cardboard soles, bundled rages for mittens.
They too built snow people, entire families, as frozen as their own –
Coal, carrots, and buttons, too sparse ~ blank faces.
She wipes the window with her apron, ancient coal dust ~ defiled virginity.
She looks beyond snow caps, a white sea of trees, smoke stacks ~ village ghosts.
She envisions the cities beyond, blinding glitter, her childhood dream ~
swan’s dance: silk and taffeta, twirls of red and blue ~ winter’s cold breath.
She returns the webs, unties her apron, washes away the blemishes ~ dullness.
©1995, Lori Carlson


I’ve always loved the concept of this poem. A woman, living an embittered life because of choices beyond her control. When I first wrote this poem, I was doing a series of poems dealing with memories, choices, and the loss of one’s dreams. When I returned to this poem recently, two things left me unsettled: 1) It is such a tightly woven poem and 2) it needs room to breathe. The first part of the revision was to give it space, so I lengthened the poem, opening it up into stanzas and shorter lines. The second part of the revision was to remove unnecessary words and add a few words that I felt would enhance the poem. The words in italicize represent the mindset of the subject of the poem, the embittered woman… Not quite her thoughts, but more like an observation from someone who knows this woman closely… a relative or best friend. Here is the revision:


Bitter Memories, revised

Withered hands busily knit
The sweater that will enfold him
Sheep’s clothing
Traps skin against wool against bitter cold

Outside, the children build Frosty
Three layers tall
Coal for eyes—
The last fuel for baking
She’ll chop wood before bedtime
Cool steel, wooden slivers
A huge carrot resembles
Aunt Bertie’s nose–angled and bent
Irish descent
Buttons from Granny’s tea tin
Imitate a crooked smile
Pa’s pipe stabs the corner
A corn husk from last season’s crop

She lays aside the yarn and needles
Pulls the lace from the window
Spider webs
And recalls her own childhood
Cold memories
Winters that engulfed her and five siblings
Like caged animals—
Breeches of burlap sacks
Cardboard soles
And bundled rages for mittens—
They too built snow people
Entire families as frozen as their own
Coal, carrots, and buttons, too sparse
Blank faces

She wipes the window with her apron
Ancient coal dust
Defiled virginity
And looks beyond snow caps
A white sea of trees and smoke stacks
Village ghosts
She envisions the cities beyond
Blinding glitter—
Her childhood dream
A swan’s dance
Silk and taffeta, twirls of red and blue
Instead, winter’s cold breath

She returns the webs
Unties her apron
Washes away the blemishes
And turns back to her bitter life

©1995,2015 Lori Carlson

The Place of My Torment

To most, you are a sanctuary
a treasured reflection of the past
They meander your streets
in the memories of their minds
Speak fondly of your Downtown
High School and rail yard
and long for the Good Ole Days
They’ve placed you on a pedestal
and you bask in the glory
of yesterday
But you hold secrets too —
Bullies ran rampant in your streets
from 5th grade ’til 12th
I was ensnared in their traps
I do not harvest fond memories
Mine were of fear and disgust:
lewd remarks from male classmates
the whispers behind my back
and the blatant cruelty of Class Night
Your bastard children carved me up
and left me to rot
No, there is no affection from me to you
you were just a torment
and now I am through

Now That You Are Gone

oh how I wanted to be wanted

so meek and small, so timid a child

my arid voice whipped in the wind


Only now, I drag you through muck

slick you down

and leave you wanting


I stamp my feet with alarm!

ho ho, who is this?

a mighty giant has awakened


My guts spew out

all the yes ma’ams and no ma’ams

no longer leave me shaking


Only now, with you reduced to ashes

does my voice quake with lava

destroying everything I built up against you


I’ve never felt so free

I’ve never felt so lost and alone

Oh to be meek and small

just to have you back again

Day 20 – 30 Day Challenge

Describe 3 significant memories from your childhood.

This is a bit difficult since I have memory issues… but here I go.

1. I remember waking up on the operating table when I was about 6, having my tonsils taken out. Days later I remember my mother and father arguing and I was crying, My throat was very sore. These are significant because they are the only memories I have of my life at that age.

2. I had read a book called Green Bottle Street about a missing street where time had stood still. It was hidden and forgotten. I remember looking for such a street all over my town, eventually finding an alleyway that led to a small street that I dubbed Green Bottle Street because I had discovered it and it seemed like time had forgotten it too. This was significant because it allowed my imagination to soar and I enjoyed the exploration process.

3. Senior Class Night… the most humiliating night of my life. I learned the unspeakable cruelty of people. My rosy glasses crashed to the ground and shattered into a million tiny splinters of pink glass.